Seeking The Dove of Peace:

The Poetry of Stephen Gill

 

Sailendra Narayan Tripathy

 

A homeless beggar

I wander

to catch a glimpse of reality

from different angles

on the pieces of glass. (“Self”, Shrine)

 

       I am no admirer of political or realistic poetry. I was somewhat skeptical, when I started reading the verse of Stephen Gill; i.e. Sialkot-born poet, who grew up in India, saw the horrendous bloodshed of partition and carried the scars to Ethiopia, Britain and Canada, where he is much adored and settled. Gill is ageless. So is his poetry. I read his poems mostly in the verdant glory of my village, with the aroma of mango blossoms seducing me deeper into the world of Gill.

     I must confess Shrine his collection gripped me like an Octopus. He has a long introduction which he could have done without. But the biographical details help us to understand more of his poetry and of course his vision. Wasn’t Yeats a political poet? What about the plays of Arnold Wesker? What about Osborne’s Look Back In Anger? Or the poems of Sengher or Nobel Prize winner Zymberska?

       A poet is born and bred in society. He is deeply influenced by the flotsam and jetsam of history. T. S. Eliot’s epoch- making essay “Tradition and Individual Talent” so Discovering Stephen Gill eloquently talks about the writer’s debt to history. Even Gill says, “A person is largely the product of the environment”. 

       Shrine is the poet’s reaction to the tumultuous events of history; all that overtook him and a trail of scars left on the good earth.

 

It brings darkness to the mind

spoils the taste of happiness

mutilates the body of humanity,

compelling

the worship of violence

seizure of sons from mothers

and

the cultivation of thorns. (“War Fever”)

 

       There are veiled hints and suggestions to the bloodbath, history witnessed during the partition years of India- Pakistan. Like swan in Yeats’ poetry, Gill’s dominant image is that of dove, which stands for world peace. But the dove is under threat:

 

Sleeping in the web of greed

arms traders forget the dove

hidden in caves of blood. (“Arms Traders”)

 

       The dove of peace lies in tatters. The dove is intimidated by the “hounds of war” and is smeared in blood.

 

The dove pleads

that the dance of the hounds

be stopped

to let her pacifying carol

fortify human muscles

to build more Taj Mahals

and pyramids of justice. (“Hounds Of War”)

 

       Bloodshed, violence, the bleeding dove, the arms traders, the hounds of war are not the only problems gripping Gill. His poetry unravels the democratic vistas. He dreams of flowers of democracy blooming everywhere in the world. There is no gainsaying the fact that Gill at heart is a Humanist and he wants happiness and peace of mankind. In the poem “My Beliefs”, he makes it clear what would be his vision and peace is the ultimate goal of life. To reach that goal, mankind needs a democratic vision:

 

I rather believe

famine is man-made

and sunshine a child of peace. (“My Beliefs”)

 

       He is totally against the sword, the bullet or the bomb. He had a surfeit of it in his childhood, which is soaked in blood.

 

Those who kiss

the lips of the sword

fall victims to its fury. (“Convictions”)

 

      The rise of fundamentalism and the despotic rules and the walls of mistrust fill him with anguish:

 

I am a human

I love human kind.

Smile, my friend

because

we are all one. (“I Am Still A Man”)

 

      There are existential anxieties and angst of a nuclear holocaust of a third world war:

If the nuclear bombs drop

Will the buds bloom again?

Will the birds chirp again?

Will the spring return again? (“A Question”)

 

       But what left me haunted is a poem addressed to his mother, whom he left in the prime of his youth, never to see

her again:

 

Years have gone by still

I see your tearful eyes

and catch the choking moans

coming from the crumbling pyramid

of pains. (“To Mother”)

 

      That is vintage Gill; the magical mixture of moods, music, and memories. Didn’t  P.B.Shelley say “A poet is an uncrowned legislator of mankind.” Gill belongs to that bardic race. Like Whitman he sings of man. That is the oldest song of the world.

 

Books cited

Gill, Stephen. Shrine. Arizona: World Universities Press, 1999.

_____. Songs Before Shrine. New Delhi: Authors Press, 2007

 

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Sailendra Narayan Tripathy is with  the Department of English, BJB College, Bhubaneswar,

Orissa. He is the Editor of Poesie India International. He has authored five books -- I Am Phallic

God And Other Poems, My Father In Heaven, Hole 'N’ Soul, The Trapped Word and Moon ‘N’

Cuckoo's Nest (Edited with Stella Browning and Teresinka Pereira). His poems have been translated

into Spanish, Italian, and Russian languages